(Hi Shinsuke. Will this image and song sound like the music in the video? Thank you, you are a genius!)
Kris Weston asked me to design some vinyl art for a very interesting record etching process he wanted to use for some fund-raising dub plates, as outlined in these links (1, 2, 3). I some some old, amazing christian eschatological insanity I found while cleaning up my Grandmother’s attic early last year, then Kris sent off some music files and the visual design to Shinsuke and Koji, who then etched some records and sent them to me. So I suppose these are one-of-a-kind “Thrash” demo LPs (milled into some heavy, very thick material that I don’t think is vinyl), one side of which plays music, the other plays intermittent sine wave beeps and glitches, as informed by the etched artwork.
The question remains: does the etching process allow for the music to be encoded in the grooves or not? Because after many, many language translation and email correspondence travails, Shinsuke himself said that the art side will sound like beeps when played, even though the articles made it seem that the etching is a non destructive process, i.e., that the result is playable art. Shinsuke wrote:
な変化です。スクラッチの時のフェーダーの激しい動き以 上の音のオンオフが必要です。それがピーピー音になります。絵を描くこととあらかじめ作られた音楽を一つの溝で再現すること は物理的に矛盾しています。音楽を音楽として再生させるためには従来の音楽のトラックをカットする必要があります。サンプルで作った二枚は片面に絵をもう片面に音をいれました。透明のレコードであれば裏側から絵を浮かび上がらせることができ ます。このレコードは再生する事もできるがあくまで観賞用の作品です。もちろん音のトラックはしっかり再生できますが。
However! After running the app, I feel like there is still some misunderstanding… there is clearly an option to use an audio file instead of a sine wave, and the app asks to save a file when it has been run… AND the audio file is slightly corrupted from the version that was input, meaning that at least something is happening (Unfortunately, even if this redeeming fact turned out to be true, any audible corruption is a deal killer for Kris). So which is it… can the artwork side of the vinyl play music or not? We may not ever find out, because Shinsuke has already been so extremely generous with his time and resources, and since we got to be cringing every time we had another untranslatable question for him… we just don’t want to bother him anymore about it.
Very privileged to have my art used as the cover for a brilliant album by Dale Cooper and the Dictophones.
Mary Tapogna sold the original of this painting years ago to someone she hasn’t seen since; the subject is very long-time close friend ‘Vati. Out of all the pieces I’ve ever painted, only twice have I ever used a source photo that I myself didn’t take… and this happens to be one of them– so I really feel like I can’t take too much credit for it since it’s essentially a dead copy of an amazing photo by Vati’s brother Kris Locke.