This is nominally only a criticism of the unwarranted casualness with which anyone may invoke symbols to avoid any particular intellectual heavy lifting. My protagonist, possibly a gnostic hylic Galatea of sorts, wields the entire corpus of western culture in a burning heap, as if to fling it at the viewer. More obscurely, the scenario may recall to one’s mind Aristotle’s Four Causes. Mere materiality is not enough, we are nothing if not purposeful, and art must have a purpose, because for a conscious sentient being to do anything is an ethical project. Ideas or formal essences themselves must not be reduced to mere materiality— to believe otherwise is to reject Life.